向JoeNo1学习, 向已经有一点经验的初学者推荐几首Tarrega简单优美的练习曲.
Tarrega的练习曲, 俺一直推崇, 和卡卡相比, 更富有近现代音色与和声上的变化. 对左右手的训练也更全面一些. 练过一些卡卡的应该可以适当选择进入.
俺录音时用的琴是YAMAHA最低档次的练习琴C40(人民币800多吧), 没有对录音做音效处理, 虽然这个档次的琴不可能发出很好的音色和平衡的共鸣, 但是如果仔细控制音色, 还是能有一点点可听性的. 所以大家不要因为琴不好就放弃对音色的控制. 有一个北美的吉友email过俺, 说难以相信C40可以发出这样的声音, 他自己一直使用换琴的方法(有钱啊)来提高音色而不是专注于对右手的细微控制.
另外俺录音时是使用半视奏的方法(没时间认真练, 呵呵), 如果比较认真的朋友能背谱弹, 应该会更好. 录音前也没有听过其他演奏家的录音. 不过一位伊朗吉友说小步舞曲Segovia有录音, 俺的处理和Segovia的大同小异.
1. Study No 5 - 小步舞曲
这是比较容易的一首, 个人觉得要注意控制右手的音色变化(这几天对右手的讨论比较多, 可以看看并加以分析应用), 还有就是揉弦, 以及小步舞曲的节奏和起伏变化.
音频: 已上传, 或http://members.shaw.ca/minghuang ... 2_Study_No_5-v2.mp3
2. Study No 7 - 贝多芬主题
这也是比较容易的一首, 个人觉得要注意控制右手的音色和时值的平均, 还有乐句的起伏, 最后的分解和弦俺使用了揉弦来加点小小的变化.
音频: 已上传, 或http://members.shaw.ca/minghuang ... 2_Study_No_7_v3.mp3
3. Study No 8 - 门德尔松主题
这首不算难, 但要注意对圆滑音的控制还有低声部旋律的流畅和起伏. 后面的和弦强弱也要加以处理. 俺录的时候还不太熟, 脱不了谱, 大家演奏时建议背谱弹. 个人觉得这首乐曲对左右手的训练有助于初学者进入一些近现代作品. 比如Capricho Arabe等.
音频: 已上传, 或http://members.shaw.ca/minghuang ... 2_Study_No_8_v1.mp3
乐谱:
1. Study No 5 - 小步舞曲 Estudio en forma de Minueto
2. Study No 7 - 贝多芬主题 Estudio sobre un fragmento de Beethoven
3. Study No 8 - 门德尔松主题 Sobre un fragmento de Mendelssohn
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4. Tarrega Study No 9 (Tarrega根据Tomás Damas的作品改编)
Tarrega这首练习曲主要训练arpeggio和音阶, 高低把位变化比较多, 也有很多圆滑音, 对演奏近现代作品有一定帮助.
建议练习时
1)注意音色的均衡, rest stroke和free stroke的音色音量尽可能做到相似, 也可以全用free stroke (录音中基本使用free stroke - 图方便)
2)圆滑音不要吃音
3)旋律性音阶注意起伏
4)音阶如果用i/m交替会很容易, 建议象录音中那样使用m-a--m-i和a-m-i-m交替, 这样练习音阶和半音阶时要注意左右手的配合. (录音中使用使用m-a--m-i和a-m-i-m交替)
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5. F.塔雷加: E大调速度练习曲
这首练习曲主要训练圆滑音和音阶, 有一定速度要求, 俺刚背下谱, 不是很熟, 有些段落似重复又不是重复, 不是很熟就容易弹错, 所以俺有时候会卡壳, 没有考虑控制音色的问题, 更没有用很快的速度弹. 放在这里抛砖引玉吧. 以后有机会如果练这首曲子会重录大家批评.
录音:
进入http://members.shaw.ca/mingweb/
单击\"简体中文\"
单击\"F.塔雷加: 速度练习曲\"
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